Original Affinity Designer Software Price

An Uneven Interface The interface is industry-standard very dark gray, but its many colorful icons are less understated than most of the photo editing apps of today.

As with Photoshop, the interface shows a toolbar row across the left side of the program window and an info panel to the right for things like layers, histogram, swatches, adjustment, transform—25 undockable modules in all. Above the main image view, there are buttons for five Personas—what most programs call modes. Panorama is another persona, but it's only visible when you're stitching multiple images into a panorama.

Personas equate to workspaces , but I had a hard time resetting the workspace to the default after removing some panels. A simple workspace reset option under the main View or Window menu would be preferable. You can customize the workspace, but you can't save your custom workspaces, as you can in Adobe Photoshop.

You can zoom with the mouse wheel plus Ctrl, but double-clicking doesn't switch you back and forth between zoomed and unzoomed views, as it does in Lightroom and others.

One Affinity Photo interface feature I do approve of is that double-clicking a control slider sets it back to its original state. Another is the side-by-side and split views to show your image before and after edits. Unlike most photo apps, there is no full-screen view, though. Affinity Photo supports a decent selection of keyboard shortcuts, but not much in the way of right-click context menus. You can undo and redo actions up to the limit you set in Preferences, but there's no clear Reset button, which I like to see in photo apps.

A nice History panel with a slider lets you take your work back to earlier states, however. That means there are no importing or organizing tools. It's more along the lines of Photoshop and Corel PaintShop Pro—that is, it's intended for photo retouching; image merging for panoramas, HDR, and focus stacking; and drawing.

Lightroom and other true workflow solutions save your edits without requiring you to specifically save to a new format—your edits are saved regardless of whether you export. When you open a raw camera file in Affinity Photo, the program switches to the Develop Persona. I appreciate that this raw conversion happens in the main program window, rather than a separate dialog the way Photoshop forces you though Lightroom doesn't.

You can only do lens corrections for chromatic aberration and geometry distortion at this stage , not after opening the photo in the editing workspace—a limitation not found in most pro photo software. I later discovered that you can revisit Develop Persona if you want to go back and use its tools again. Nor do you get a choice to develop profiles as you do with Lightroom and Luminar or even an auto-tone option in this mode.

Noise reduction is also only available in the Develop Persona; it works well, though as with many programs' similar tools, tends to blur details. You can also open vector images in. SVG and. AI format, and save to the former, but not the latter. You can combine vector and raster image layers in the same file, and work on both, though as you'd expect, vector editing is limited compared with what you get in Adobe Illustrator. The program supports batch operations and macros, useful for converting multiple files, stripping their metadata, or rotating them.

Adjusting Your Photos In Photo Persona, you see a stacked group of tabbed panels on the right side of the program window.

The top one shows a histogram, color picker, swatches, and brushes. The central panel has tabs for adjustments including lighting, colors, curves, LUTs, and gradients, but no detail options like noise reduction, sharpness, or chromatic aberration.

The lower panel offers a photo navigator and sections named Transform, History, and Channels. On some photos, these work fairly well, especially for levels and white balance. On one dark image, they did nothing. On a wide shot with narrow objects against a bright sky, the program's chromatic aberration reduction didn't do anything, but its Defringe check box did a nice job of removing purple fringing.

The same panel's Layers tab shows you which edits are associated with which layers, and the Effects tab offers glow, blur, outlines, and overlays. There's even a Stock tab that lets you find images from Shutterstock to license and use in your image. There are, however, no templates to get you going like those you find in Adobe Photoshop and PaintShop Pro. The Tone Mapping mode lets you select regions of your photo using an overlay paint tool or an overlay gradient tool.

The paint tool offers an Edge Aware option that worked well in my testing. You can also create a mask layer based on a color or luminosity range—but not in the Tone Mapping Persona. You need to go back to the Photos Persona, add a new layer, choose Selection from Layer from the Select menu, and then Layers panel, click on the layer's thumbnail with the Shift and Ctrl keys pressed.

Then, you click Mask Layer in the Layers tab on the right panel. Everything feels quick and responsive. Moving an image warps the text instantly, so you can see the changes and be as precise as you need to be, even on an old computer we tested it on a MacBook Pro with 16GB of RAM and an ever-dwindling amount of storage space. This kind of responsiveness and on-the-fly changes are felt throughout.

Highlight some text for instance, and as you scroll over different fonts, you can see the highlighted text update before you even click on your selected font. The change is instant and this is a great way to choose the perfect font for your needs. But what comes next may well be… Mousing over fonts in the menu is a quick and convenient way to preview fonts directly on your layout Image credit: Serif Seamless integration How many times have you had to cycle through apps to get your work done?

Say you add a photo to your page layout but need to tweak it in some way, do some color correction or image manipulation. So you have to hop to your image editing app, save your changes, perhaps even reimport it back into your DTP program… Serif has found a solution to this merry-go-round: This is a feature they call Studio Link.

What this does is actually pretty clever. Essentially you never have to leave Publisher when working on a project, and this has the advantage of keeping you totally immersed in the layout creation process, making image alterations you know will work perfectly with the rest of your pages. The way it functions is really simple. Top-left of the interface are the three Affinity app icons. It works surprisingly well. Not only does this speed up your editing processes, but the switch between personas is so effortless it becomes second nature to swap between tools in that manner.

Serif Compatibility issues Another important feature of this trio of apps is that their file format is identical. Yes, they may be labelled. However, you can open any file in any app if you want to. Not all tools are present in all apps, though:

Original Affinity Designer Software Price

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